American Impressionism · American Women Artists · Essay

Marguerite Zorach and the Park Avenue Cubists

Marguerite Zorach, Flowers and Shells II, 1956, Hawthorne Fine Art, New York City. When we discuss women artists, it is crucial to remember that their careers were often defined by limited access to education and proper means for exhibition. In the case of Marguerite Zorach, who was born in Santa Rosa, California in 1887, the artist was… Continue reading Marguerite Zorach and the Park Avenue Cubists

American Impressionism · Essay · New York City

Picturing Public Space in New York City circa 1900

Artists have been recording the act of ‘promenading’ for display in public spaces since its rise in popularity in the late eighteenth century. The great French flaneur Constantin Guys (1805-1892) made several works depicting a promenade, which in Paris was “at once the activity of taking a stroll or a horse or carriage tour, and… Continue reading Picturing Public Space in New York City circa 1900

American Gilded Age · American Impressionism · Essay

Viewing New York in the Interwar Period

New York City of the late 1920s and 1930s – an era bracketed by World Wars – witnessed cultural change colored by societal contradictions. A unique combination of ethnic diversity, white-collar industries, and concentrated wealth made the city a playground for the intellectual elite. Accordingly, “writers, painters, and musicians were increasingly drawn to the city”… Continue reading Viewing New York in the Interwar Period

American South · Essay

The Sentimental South in American Painting of the 1920s

The 1920s, celebrated as the ‘Roaring Twenties,’ continue live in the American imagination as an iconic and indulgent era that critics self-consciously commented on prior to its conclusion. Accordingly, “even before the end of the 1920s historians had begun to write the history of the decade and to offer characterizations that have lingered ever since,”… Continue reading The Sentimental South in American Painting of the 1920s

Essay · Traveler Artists

‘Seeing and Being Seen’ in 19th Century Traveler Art

When looking at paintings by traveler artists from the mid to late 19th century, the viewer must ask one crucial question: what would the impression of these exotic vistas have ultimately been? Since 19th century viewers were most likely to see foreign landscapes in the museum gallery at this point, as photography would not become… Continue reading ‘Seeing and Being Seen’ in 19th Century Traveler Art